Follow our activity on Twitter & Tumblr. Click on the links to… More detail
Follow our activity on Twitter & Tumblr. Click on the links to connect.
You will be seeing a lot of these if you watch The… More detail
You will be seeing a lot of these if you watch The ITV Weather. Really nicely shot by Alex Telfer for MTP. Looks like they had quite a bit of weather on the shoot, too. Series of different executions in some great locations.
Four 10 seconders directed by Jon Greenhalgh from Giddy. Based on a… More detail
Four 10 seconders directed by Jon Greenhalgh from Giddy. Based on a quick cutting technique, (admirably executed by Sally Cooper from Cut + Run), these little gems were great fun to work on. Made us download the app for our iPhones, so it must be working!
Documentary shot by Susannah Hayes for McCanns following the design, construction, transportation… More detail
Documentary shot by Susannah Hayes for McCanns following the design, construction, transportation and assembly of a beautiful Pegasus built from 3,500 mobile phones.
Yet another series of three commercials, this time for Toshiba highlighting their… More detail
Yet another series of three commercials, this time for Toshiba highlighting their water-heaters for the Middle Eastern market. Great little characters made out of water droplets and composited into the scene.
We looked after the conform, grade and little tweaks that always need… More detail
We looked after the conform, grade and little tweaks that always need tweaking. This is the second film we've done with Venetia and this one has been shortlisted for the Rankin Photography and On|Off Fashion 'Dig The New Breed' short film competition. It looks great and we really hope it gets recognition. Short Film by Venetia Dearden. Edited by Sam Jones @ Cut+Run.
Three little spots for Chipsy. Stop frame animation with real crisps. More detail
Three little spots for Chipsy. Stop frame animation with real crisps.
Working with Seed Animation on this series. Great little characters. Endless possibilities. More detail
Working with Seed Animation on this series. Great little characters. Endless possibilities.
Second in the Mimix series. More detail
Second in the Mimix series.
One in a series of three commercials for PromoSeven. Stop-Frame animation built… More detail
One in a series of three commercials for PromoSeven. Stop-Frame animation built in Maya and composited in Flame.
The last of our Bet365 extravaganza. Two Ray Winstone's can never be… More detail
The last of our Bet365 extravaganza. Two Ray Winstone's can never be too many.
Lovely animation for the Association of Chief Police Officers for a conference… More detail
Lovely animation for the Association of Chief Police Officers for a conference on Child Protection. BETC London worked up the creative proposal and our friends at Squash & Stretch worked really hard on the animation. Regular collaborators Scramble created the audio. This is a cutdown of the full piece.
These have been keeping us busy. Finished 20 different versions of these… More detail
These have been keeping us busy. Finished 20 different versions of these so far. Ray Winston was a real gent. Terrifically tolerant of being stuck in a headclamp for 3 days. Directed by Martin Wedderburn.
Directed by Susannah Hayes, who did a lovely job as ever. The… More detail
Directed by Susannah Hayes, who did a lovely job as ever. The pilots were brilliant, full of enthusiasm all day and great in front of camera. It was a long day, but we ended up with enough material for a 5 minute documentary and 4 x 20 second commercials.
Jon Greenhalgh shot these stills for Comic Relief. Ivana Bohuslavova produced for… More detail
Jon Greenhalgh shot these stills for Comic Relief. Ivana Bohuslavova produced for Weilands. Edited at Cut+Run by Dan Robinson.
Warning: Explicit Content. Working with Yasha and Kasra from Jacuzzi Films we… More detail
Warning: Explicit Content. Working with Yasha and Kasra from Jacuzzi Films we helped put together this international production at the final online stage. Looks amazing.
Lovely work here and a really distinctive bit of Art Direction. Directed… More detail
Lovely work here and a really distinctive bit of Art Direction. Directed by Charlie & Joe through Young Turks. Looks and sounds great.
Directed by Ellie Brent. Full on day with loads of Sonic Fans.… More detail
Directed by Ellie Brent. Full on day with loads of Sonic Fans. Edited down to a 5 minute documentary, then versioned for 7 different countries.
Fully 3D project in collaboration with Squash and Stretch, our regular CGI… More detail
Fully 3D project in collaboration with Squash and Stretch, our regular CGI partner.
Terrific job to work on. Beautifully shot by Ric Hawkes @ Ricandjo.… More detail
Terrific job to work on. Beautifully shot by Ric Hawkes @ Ricandjo. Images that allow you to concentrate on the nuances of the expressive faces of the children. When shooting at these kind of speeds, small things become exaggerated, meaning that there were quite a few ‘invisible’ fixes to finalise the spot to everyone’s satisfaction.
Really enjoyed making these and the process of putting a team together.… More detail
Really enjoyed making these and the process of putting a team together. Our biggest team, but everything worked beautifully. Mark Wordley gave Alex Ford tons to cut with. The 3D team, led by Nathan Laud did a fantastic job. Audio, particularly where the sound design came into play, was excellent. VFX went together all as planned and we are very happy with the three final…
With the sound of "Hammer Time" ringing out through the studios, our… More detail
With the sound of "Hammer Time" ringing out through the studios, our untrained artists did a fabulous job of dancing their way up a non-existent escalator. Shot by Susannah Hayes in Studio 2 at Camberwell Studios, edited in Final Cut Pro, post-produced in After Effects and delivered six different edits to client. Looked great on the way down escalators.
Conform, pack replacements and creation of graphic endframe. Moving a few mushrooms… More detail
Conform, pack replacements and creation of graphic endframe. Moving a few mushrooms and adding a little more steam to product shots. Nicely shot by MTP for Big Communications.
Showing the power of the mighty Canon 5D, we love the way… More detail
Showing the power of the mighty Canon 5D, we love the way this looks. Quirky and really nicely shot by the creative team at Dentsu London.
Directed by Susannah Hayes. Quite a number of cast to wrangle here,… More detail
Directed by Susannah Hayes. Quite a number of cast to wrangle here, as well as a full set build and multiple camera setups. Final product was embedded into a website giving eczema sufferers support and advice online.
Directed by Stephen Pipe. Four Walls VFX supervised and composited two commercials… More detail
Directed by Stephen Pipe. Four Walls VFX supervised and composited two commercials for Go Compare just prior to the birth of the mad opera singer.
Final versioning and delivery of the beautiful, award-winning rebrand of SyFy by… More detail
Final versioning and delivery of the beautiful, award-winning rebrand of SyFy by Proud Creative. Hundreds of different idents, stings and interstitials all organised and exported for delivery to client worldwide.
A series of three fillers shot by Susannah Hayes, highlighting the curse… More detail
A series of three fillers shot by Susannah Hayes, highlighting the curse of Cyberbullying. The footage was treated in several different ways to make the TV versions appear as if the viewer was watching the footage on a mobile phone. The mobile phone versions were left untreated to allow them to create their own degradation. Delivery to several different platforms, including 3G and YouTube.
Another shoot for a medical website. Potentially a difficult topic, but covered… More detail
Another shoot for a medical website. Potentially a difficult topic, but covered very well by Director, Chad Warner.
Another multiple delivery job for Proud Creative. Adding logos and laying up… More detail
Another multiple delivery job for Proud Creative. Adding logos and laying up audio as well as export for delivery to client's specifications.
What a lovely family. Great to work with. And they seemed to… More detail
What a lovely family. Great to work with. And they seemed to like Wii Party. Directed by Susannah Hayes.
Created animated titles to sync with the voices in this powerful piece… More detail
Created animated titles to sync with the voices in this powerful piece for NSPCC. The beautiful animation was courtesy of Light Parade.
Shot by Simon Cheek through Tomboy Films. Packshot tweaks and cleanup as… More detail
Shot by Simon Cheek through Tomboy Films. Packshot tweaks and cleanup as well as the usual conform and titles. Series of two commercials.
Supplied with an existing commercial requiring rebranding, grading and a revised audio… More detail
Supplied with an existing commercial requiring rebranding, grading and a revised audio track. Some nice subtle regrading for this along with some reframes and dynamic moves on several of the shots. Repair work to some of the shots to improve the overall look of the piece.
Created the 'currency-a-like' graphics. Changed shirt colour from blue to brown in… More detail
Created the 'currency-a-like' graphics. Changed shirt colour from blue to brown in several shots. Music by Dino Sofos at FutureZoo. Edit Matt Chodan.
Another job that we looked after a number of areas, from start… More detail
Another job that we looked after a number of areas, from start to finish. 3D bracelet, 2D belt buckle, logo on back of jacket, lights in street.
Working with Stephen Pipe is always a pleasure. Four Walls were responsible… More detail
Working with Stephen Pipe is always a pleasure. Four Walls were responsible for offline, online, VFX, music composition, sound mix and delivery of final masters, making this job a real full-service proposition. Didn’t get to spend a day by the seaside, unfortunately.
I love this. Really captures the action well. Shot on mini HD… More detail
I love this. Really captures the action well. Shot on mini HD cameras fixed to the helmets. Looked after TK, VFX and audio on these.
Long running campaign with regular re-versioning. Replacement of the pages in the… More detail
Long running campaign with regular re-versioning. Replacement of the pages in the newspaper to reflect the flat racing or jump seasons. Headlines on front cover altered regularly. Live action content of commercial varied to keep things fresh.
Director Martin Wederburn (Onward Films) shot these spots for TBWA Manchester with… More detail
Director Martin Wederburn (Onward Films) shot these spots for TBWA Manchester with small helmet-cams. Delivering the required lines, not capsizing and keeping your eyes open was just a bit too many things to hit in one go, so we stabilised the eyes from a different take, removed the blinks and tracked in the replacement eyes to give the perfect take.
Over Christmas, Easter and during the Summer we added some lovely animation… More detail
Over Christmas, Easter and during the Summer we added some lovely animation (by Suzanne Deakin through Slinky) to refresh the content.
Director Stephen Pipe oversaw the edit, incorporating his shots with stock footage… More detail
Director Stephen Pipe oversaw the edit, incorporating his shots with stock footage from a variety of different sources. The footage was graded and composited where required and Four Walls delivered several different length edits for different regions.
Now absorbed into the Co-Op family, we are very proud of our… More detail
Now absorbed into the Co-Op family, we are very proud of our stint on Somerfield. We made somewhere in the region of 450 commercials for this long-running campaign.
Nice little film, this. Looks lovely and has a great narrative. Added… More detail
Nice little film, this. Looks lovely and has a great narrative. Added the corrugated iron behind Lenny Henry. Also replaced the Haynes manual cover. Added flickering fire to Ronnie Corbett's fireplace.
Part of our long-standing work for RAPP and the NSPCC. More detail
Part of our long-standing work for RAPP and the NSPCC.
More work for RAPP and the NSPCC. More detail
More work for RAPP and the NSPCC.
Built entirely from stills. The paint splashes were given 3 dimensional feel… More detail
Built entirely from stills. The paint splashes were given 3 dimensional feel by painting a luminance map by hand to use as a displacement map so that as we pass through the different splashes it feels as though we are moving through a timeslice. The televisions themselves were enhanced in 3d space by treating the artwork as a ‘net’ and adding sides to the screens.
Especially good performances here I think. Directed by Stephen Pipe, edited in… More detail
Especially good performances here I think. Directed by Stephen Pipe, edited in Final Cut by Matt Chodan, conformed, graded, cleaned and titled in Flint.
Great Scripts. Quick turnaround. It's all about the idea. More detail
Great Scripts. Quick turnaround. It's all about the idea.
A really nice animation job that was interesting to create. Working closely… More detail
A really nice animation job that was interesting to create. Working closely with RAPP creatives to give the words character, whilst at the same time maintaining their legibility.
One of the longest running and most successful of the NSPCC campaigns… More detail
One of the longest running and most successful of the NSPCC campaigns for RAPP. Has been through several incarnations and still works well.
Multiple roles here. VFX included removing type from Yellow Pages, adding logo… More detail
Multiple roles here. VFX included removing type from Yellow Pages, adding logo to van, altering the type on the card in the window, combining two tracking shots, tiles etc etc...